The Art of Death

Over the past day or so I have been reading The Art of Death by Nigel Llewellyn. His work is pretty in tune with what my work is about and this morning I came across a really interesting piece of text that I am going to share:

 

“To some extent, contemporary capitalist cultures in the West still recognize that dying exists as a liminal point between life and death: we mostly agree on the good sense of preparing a will, a process which demands that we imagine the social world in our absence and which in a way foretells our own deaths. Most of us change our behaviour when someone close to us dies. Nevertheless, in the Western world death takes place at a distance, it is a pollutant which threatens hygiene; it indicates a time requiring strength, not emotions: death ignored might also be death denied. In early modern England such denial was unfamiliar if not impossible and the clerics preached the wickedness of those who disregarded their own mortality. In response, the space between life and death, the ritualized period of dying, was stretched in ways which today’s standards would be considered tasteless and unacceptable.”

(The Art of Death, Nigel Llewellyn, P.16)

 

This piece of text has me thinking about the difference between rituals today and rituals in the past, the ideals seem to be completely contrasting of each other. Before we embraced death and saw it as a humbling event and now we disregard death almost to the point of denial. When did this unhealthy attitude towards death in the West occur? As modern science has progressed and people’s day to day lives have become more sanitised, people have become more distanced from nature in general and death is just another unsanitary act that reminds us of our mortality. Which in this modern age is looked upon more as a failure to achieve immortality or a failure of medicine than a natural celebrated event that happens within every life.

Funeral rituals, the process of death and disintegration.

To start off the posts on this blog (created in order to maintain thought process and development during my MA Fine Art course) I will introduce my work and the concepts behind it.

I have always been fascinated by rituals in some way or form and likewise my work has always taken an interest in both psychology and death. The way that I see death is a natural occurrence where the person who was born of the earth is returned to it and the circle of life and death continues down it’s path. While a death is always emotionally painful, society should embrace it’s occurrence as being something natural and harmonious. Society as it stands consistently regulates death to the extent that the subject is rarely approached and verges on denial. In some cases deaths are seen as a failure of medicine and in most a “tragedy”. My work will reflect on traditional funeral rituals, look at how death is handled in different cultures and show how natural and beautiful the event actually is, putting the event into a positive environment and challenging people’s way of thinking about it.

 

During my research about this I have also been discovering processes and methods of casting in which to create “death masks” (a popular traditional ritual in some cultures) which has led to me thinking about how I can show ritual and also disintegration using the life casting. Hopefully after I have learnt all I can about the processes I can look at making wax models and other degrading materials in order to make parts of the body and think about how to show these in a ritualistic way.

 

Here are some images of my first sessions in life casting…